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Reading for the New Year: Part Three
To start the New Year, New Yorker writers have been looking back on the last one, sifting through the vast number of books they encountered in 2025 to identify...
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Grok and the A.I. Porn Problem
For this week’s Infinite Scroll column, Brady Brickner-Wood is filling in for Kyle Chayka.Shortly after Elon Musk purchased Twitter, in 2022, he claimed that “removing child exploitation is priority...
“The Chronology of Water” Is an Extraordinary Directorial Début
But get away Lidia does, and, finally free of paternal authority, she’s out of control: drinking and taking drugs, partying hard, flunking out, targeting a gentle guitar-playing boy named...
How to Recover from Caring Too Much
In Clayton’s and Josephson’s hands, though, the fawn response becomes something more pliable, less a sign of acute threat than a broadly anxious orientation to the world. “For some...
The New York Shooting That Defined an Era
“Death Wish” was the dark New York story of its era—an anti-“Annie Hall” for the armed and aggrieved. An architect sees his wife killed and his daughter raped by...
Flynn McGarry’s Artful, Ambitious Next Act
The chef Flynn McGarry was only thirteen years old when he débuted a tasting-menu pop-up in his home town of Los Angeles, in 2012. He was nineteen when the...
Lagos Is a Vortex of Energy
The British Nigerian photographer Ollie Babajide Tikare took note of those aspects, capturing daily Lagos in his recent book, “Èkó,” a collage of scenes and portraits from the city,...
The Robot and the Philosopher
Sophia wasn’t particularly talkative that evening. Earlier that day, she’d been onstage at the conference I was attending and had been teased for a gesture that looked as though...
The Delicious Anticipation–and, Yes, Release—of “Heated Rivalry”
The show, a sexy romance between two closeted hockey players, began on a small Canadian streaming platform, but has become a huge, unexpected hit. Source link
“Dead Man’s Wire” Is a Tangle of Loose Threads
The film draws a link between these journalistic versions and the unfolding action through the character of Linda Page (Myha’la), a TV reporter on the scene outside the office...
