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What The New Yorker Was Watching in 1925
Film criticism at The New Yorker started with a bang: the first movie reviewed in the first issue, dated February 21, 1925, was the German director F. W. Murnau’s...
Elizabeth Gilbert’s Latest Epiphanies
“Elizabeth Gilbert has a new memoir out.” The mere sentence radiates gentle inspiration—watercolors, billowy pants with elephants printed on them, sparkly truthtelling in a big straw hat. Gilbert had...
The Celebrity Picture Book Boom
There are no guilty pleasures in childhood. It is only as an adult that I feel a certain sheepishness when recalling one of my favorite picture books, “Ann Likes...
How Music Criticism Lost Its Edge
When I was growing up, a critic was a jerk, a crank, a spoilsport. I figured that was the whole idea. My favorite characters on “The Muppet Show” were...
Cindy Sherman’s and Rea Irvin’s Eustace Tilley
For a hundred years of New Yorker history (except once, in 2000, for our seventy-fifth anniversary), our covers have featured drawings, not photographs. For the September 1 & 8,...
New York City, Taco Town
Santo Taco, one of the newest of the newcomers, opened this spring, in a sliver-slim SoHo space that previously housed La Esquina’s taqueria, whose primary function was as a...
The Creator of “Subway Takes” One Hundred Per Cent Disagrees
“Subway Takes” is the TikTok version of the “Tonight Show”: wholesome, relatable comedy, even if some episodes do acknowledge the existence of opioids and dick pics. The premise is...
The High Femme Dystopia of Star Amerasu
If the recent embrace of seemingly—and only seemingly—autonomous machines is any indication, something much less chic than the future premised in “The Matrix” awaits us. During the 1999 film’s...
The Vibrant, Disappearing World of India’s Photo Studios
The Jagdish Photo Studio in Manori appeared to Ketaki Sheth as a kind of apparition. A photographer from Mumbai, Sheth owns a home in the coastal village, about a...
My Mother, New Orleans
My father, who was born in New Orleans and who died there just last year, used to always say, “Funny that they call this the Big Easy.”In August of...
Anthony Roth Costanzo Channels Maria Callas in “Galas”
Plus: the eclectic chaos of Haim, Trajal Harrell struts the catwalk at Park Avenue Armory, “Mamma Mia!” returns to Broadway, and more. Source link
A Merry and Rambunctious “Twelfth Night” in Central Park
On the Saturday evening that I saw “Twelfth Night, or What You Will,” the sole production of the Public Theatre’s Shakespeare in the Park summer season, a raccoon scurried...