Style

“Overcompensating” Is a New Kind of Coming-Out Comedy
Benny Scanlon, the protagonist of the new comedy “Overcompensating,” is the kind of boy mothers don’t know to warn their daughters about. Tall, handsome, and polite, Benny—played by Benito...

Robert Macfarlane on Books That Hold Water
The writer and scholar Robert Macfarlane has spent much of his life climbing up mountains and fishing on rivers, and his passion for each extends to his writing. Over...

When a Writer Takes to the Stage
Writers who contemplate going onstage tend to fall into two camps: those who know better and those who should but don’t. Of the second kind, The New Yorker has,...

How Donald Trump’s Crypto Dealings Push the Bounds of Corruption
Imagine that someone in a position of great political power created a hundred billion raffle tickets and made them available for public purchase. If you buy the tickets, eventually...

In “Jetty,” a Grand Infrastructure Project Becomes Both Visually and Politically Compelling
The algorithm has been feeding me industrial-strength A.S.M.R.: short videos of computer-controlled lathes, in extreme closeup, doing elaborate milling of wood or metal rods. Sam Fleischner’s modest yet ambitious...

Spare a Thought for the Snitch
The Boston Globe’s investigative Spotlight team has been reporting on wrongdoing for decades—before and after its stunning exposure, in 2003, of the vast Catholic Church child-sexual-abuse crisis, dramatized in...

Richard Kind Is the Perfect Second Banana
Richard Kind is the Platonic ideal of a character actor. When he shows up in something—as Larry David’s cousin in “Curb Your Enthusiasm,” as Rudy Giuliani in “Bombshell”—you’re in...

One Hundred Years of New York Movies
This magazine’s ongoing centenary celebration has included a cinematic component: a series at Film Forum, “Tales from The New Yorker,” which featured movies connected to The New Yorker’s history,...