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The Making of “Adaptation”
I didn’t keep close track of what was going on with “Adaptation,” because I was busy with my own work and, frankly, I didn’t expect much to come of...
John Carpenter’s Three Favorite Film Scores
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.The filmmaker...
Art and Life in Richard Linklater’s “Blue Moon” and “Nouvelle Vague”
Leave it to Richard Linklater to see how, in art, the fundamental things apply. In his two new movies—“Blue Moon,” about the lyricist Lorenz Hart, and “Nouvelle Vague,” about...
Rose Byrne Hits the Mother Lode
Her comedic pivot would have to wait, though. After a stint living in London, she moved to New York to co-star with Glenn Close in “Damages,” the FX legal...
Misty Copeland’s Ballet Send-Off
Sometimes a return is also a farewell. Misty Copeland, the first Black female principal dancer at American Ballet Theatre, may be the most famous American ballerina of her generation,...
László Krasznahorkai and Contemporary Europe’s Perilous Reality
In 2011, I wrote that reading László Krasznahorkai “is a little like seeing a group of people standing in a circle in a town square, apparently warming their hands...
The Safe Space of “Good Hang with Amy Poehler”
Amy Poehler may be the most-liked woman in Hollywood. Her latest project, the mega-popular podcast “Good Hang with Amy Poehler,” certainly encourages that impression. It’s perhaps her biggest platform...
A Cartoonist’s Journey to the Scene of a Riot
The Maltese-born Joe Sacco is the rare cartoonist with a journalism degree (and, maybe just as rare, a cartoonist with masterful journalistic chops). Sacco’s latest book, “The Once and...
The Virtuosic Maternal Freakout of “If I Had Legs I’d Kick You”
“If I Had Legs I’d Kick You,” a nerve-shredding dark comedy from the director and screenwriter Mary Bronstein, is the latest and surely most exhaustive iteration of an idea...
The “Unfit” Mothers of Ariana Harwicz
The Argentinean author Ariana Harwicz writes slim books that draw on a slim band of resources, as if she pulled them from a narrow row of diseased crops, or...
Will A.I. Trap You in the “Permanent Underclass”?
The “lumpenproletariat,” according to “The Communist Manifesto,” is “the social scum, that passively rotting mass thrown off by the lowest layers of the old society.” Lower than proletariat workers,...