Style

Andrea Long Chu Owns the Libs
In “Authority: Essays,” a new collection of criticism from the past five years, Andrea Long Chu explains that her goal is to make a reader feel “as if I...

Disco Balls and Roller Skates, at Xanadu
In the lushly pleasurable Bobby Darin bio-musical “Just in Time,” by Warren Leight and Isaac Oliver, the director Alex Timbers ensconces his sweet-voiced star Jonathan Groff in a gleaming...

“Caught by the Tides” Is a Gorgeous Vision of Loss and Renewal
More than two decades in the making, Jia Zhangke’s mostly archival film embodies the sweeping transformations of modern China in its very construction. Source link

A Joyfully Chaotic Tribute to Pavement in “Pavements”
Rock documentaries and bio-pics have been parodied for nearly as long as they have existed, but there’s a reason for their ingrained absurdity that’s even weightier than fan service:...

Rumaan Alam and the Terrible, Horrible, No Good, Very Bad Female Protagonist
The writer Rumaan Alam has noticed that readers, especially as of late, can be quick to dismiss novels that have characters they find unpleasant. But “when a character on...

The Miscalculations of COVID School Closures
On June 26, 2020, three months after the coronavirus pandemic had seized the United States, the American Academy of Pediatrics, which represents about sixty-seven thousand pediatric physicians, issued guidance...
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How the Internet Left 4chan Behind
4chan was where I learned that the internet could be bad. I first encountered the site during high school, not long after its founding, in 2003, by an American...

How “The Great Gatsby” Took Over High School
In the spring of 1940, F. Scott Fitzgerald was worried about “The Great Gatsby.” It had been fifteen years since the novel was published, and the author had little...

Why Even Try if You Have A.I.?
A couple of years ago, my wife bought my then four-year-old son a supercool set of wooden ramps, which could be combined with our furniture to create courses through...

For Watchers of “The Clock,” Time Is Running Out
“The Clock,” the addictive film masterpiece by the Swiss artist Christian Marclay, has been showing continually at MOMA since November, and some of us have become transfixed Clockwatchers, returning...